Artwork by Andrea Fox
“Treasured Memory” Mixed Media $500 DUST MOTES By Maggie Kennedy Morning slants through the window, backlighting the sheers, a stage-drop for dust petals twirling a chaotic waltz. I point to the twirling specks, as my mother would have pointed, random treasures revealed, like that stretch of out-of-the blue rain falling on our yard, and nowhere else. We hurried to the scent-drenched, pummeled earth, reprieve from a scorching day. My mother started kicking her heels, and we danced until the downpour stopped suddenly as it began, leaving us soaked and deliciously cool. “Your grandpa Michael Mulligan is at it again,” mom said, and I came to think of my grandfather dead before I was born as the animator of heat lightening, horsepower in a moth’s flutter, his love energy that could not be snuffed, only converted. So I point to the dust motes as my mother would have pointed if she had not died too soon. My son stumbles forward, toddler legs wobbly, to grab fists of flecks that scatter in the draft he stirs. His grin, naked glee. “Your grandma Mary Mulligan Kennedy is at it again,” I say, and take his hands to prance with microscopic pixies. I don’t care if it’s true or not, this pretty notion. My mother is with me, dancing with her grandson. |
Artwork by Annette Perone Leiber
“Engulfed in the Unknown” Mixed Media $300 Nature’s Artistry Curt Vevang A crisp morning on my favorite trail, the clouds are on holiday in some distant land. The glaring sun is intruding upon my squinting eyes. With every step I take I hear the crunch of acorns hiding for warmth beneath the leaves. Each tree, each fence post, each rotting stump appears in exaggerated three dimensional stillness. Curled fallen leaves still display the depth of their veins. I find myself reaching in my pocket for a scrap of paper that begs for the first line of a poem. A scene worthy of a villanelle, perhaps a sonnet. Or would autumn's prism be better captured in a stunning water color of delicate leaves, perchance an oil in deep crimsons, greens and amber yellows? Might this be the genesis of a woodland rhapsody? |
Artwork by Emily Dormier
“Reverse Polarity” Digital Collage $200 Reverse Polarities You don’t see money lying around in Antarctica. It’s scarce treasure with so few things for sale, like the optimism of haunting beauty that stops you in your snowy tracks, and you forget to breathe cold blue air crackling with slushy ice scrubbing stones and seaweed from furrowed shores. You won’t find Midwest skies crowning prairie and lake with lyrical wisps or pine scents in the volcanic dust sown on glacial winds once pitching brittle ships past the charted world—a place where no price tags hang on ghostly shards heaved by waves and whalers onto dry boneyards with nothing left for lighting lamps or shaping corsets. And what remains of late day sun spilling saffron and marigold through two white peaks burns transforming light filling you with grace, and real time stands still. Susan T. Moss |
Artwork by Emily Dormier
“Nature’s Healing” Screenprint on canvas $275 Nature’s Healing By Marie Samuel Outdoor treks comfort Weary isolating souls All races, genders, faiths Those healthy or not so And wealthy or not so Find solace in sky and earth Clean waters are beacons For all nature’s creatures, Large and small who dwell And share our sick planet Depending like us on bounty Of sun kissed foods and Drinkable fluids so essential For all world’s varied humans Nature’s healing beckons. |
Artwork by Jeanne Garrett
“The Pearl” Mixed Media (digital print on rice paper with stitching) $550 Pearls We are like pearls, Precious for the grit Each grown in the Belly of a clam, Clam bellies clenched Tightly against the tumult Forcing our shape From calcium carbonate. Pike, catfish, bass Swirling, tossing us With the force of their fins We, sheltered by nacreous Walls supported by a Terse tongue. Alone, we Brace against the current Growing together While apart our relative Density brings us Closer to wholeness Shopped out by our families Pregnant vessels drift Toward the sea Homeless and salty, Fearing the force of change, The essence of Our divinity. Awkward aberrations, Lumpy and pinched Lonely hearts until plucked Lips pried apart. Luminescent And strung, we sit glowing Cultured, side by side, Majestically affected. By René Parks |
Artwork by Jan Reagan
“Chapter 58” Mixed Media $385 Noah’s Flood Yea, foolish mortals, Noah’s flood is not yet subsided; two thirds of the fair world it yet covers. (Chapter 58) Two-thirds of the world is watery, calling the vagabond, the troubled, the adventurous, the meditative, to come to the shore and beyond, to sail out into the deep, the gull and albatross overhead, and beneath feet which play the deck like a drum, teeming villages of dolphin, shark, squid, and thousands of other species, many still unknown. We’ve learned to love remnants of the flood, what flows between continents and up estuaries, waves that foam, climb the air and fall, the white sapphire sparkles on the surface in moonlight or sun. Scientists say the ice is melting, the flood returning. When the waters don’t recede and whole cities sink below the crest, you and I will play the role of Noah’s neighbors. ~ Wilda Morris From Wilda Morris, Pequod Poems: Gamming with Moby-Dick (Kelsay Books, 2019). |
Artwork by Lyn Tietz
“Racoon” Oil $195 THE AMAZING RACCOON Raccoons can make over fifty different sounds, From a whistle to a purr to a growl. And sometimes even a whinny can be heard As through the forest they prowl. United States President Calvin Coolidge Had a pet raccoon that was tame. They took walks together on the White House grounds. “Rebecca” was her name. Our little masked bandits seem to love life, And have an enjoyable time. Their paws are similar to human hands. They can even pick up a dime. Although they are sometimes found eating garbage, They are extremely clean. They wash their food before they eat it, And even dig a latrine. Raccoons are great at solving puzzles, IF...it involves a treat. They will navigate hooks and latches and levers To get something good to eat. ~ Idella Pearl Edwards |
Artwork by Tania Blanco
Full Moon Day Festival Acrylic on Canvas $600 FULL MOON DAY FESTIVAL All eyes concentrate on the glimmering white diva dancing voluptuously across the periwinkle sky, stars sprinkled abundantly in her path. A gift from the creator. Brilliantine strings of lesser lights flashing and popping in multi-colored patterns, swing unmoored from poles carried by chanting singers. The fragrance of incense hangs heavy. Spinning dancers brandishing swords in virtuoso performance compete for the crowd’s favor. The face of the Buddha reflects peace, joy, and serenity in the light of the full moon. Diane Lotko Baker (Vesak Full Moon Poya Sri Lanka May 2017) |
Artwork by Ashley Ehrhardt
“Grief” Photography $200 Grief by Carole Bolinski It’s easy for me to share my grief. Entering those fiery caverns creates an excitement. An invitation to take me further into a well of emotion. My grief is who I am. Carries me through the day. While it burrows deep within there’s a need to feel its sap, and turn this angst into flames of passion. |
Artwork by Ashley Ehrhardt
“Her Eyes” Photography $200 I look into her eyes I look into her eyes I see a black sea of reflection Of countless rain drop Pouring down from the sky Into the deep infinite ocean wave Filled with a mother’s grief display Of a son’s loss. like losing her own body limb drowning in the verge of despair submerging of own inner voice With a heavily bleeding heartache And a burden agony weight Is day or night? Is right or wrong? Is life or death? No words are forming From her lips I look into her eyes I see an excruciating terrify Like a needle shoot through the vein That put her into life death sentence To an end with unbearable intake incapable to fight with no other strength to stay survive I look into her eyes And I feel deeply for her pain And shattered dream In a vulnerable term Her story reflects of mine As I have walked in her shoes And live through the past To understand the Meaning Of Life Written By: Hanh Chau |
Artwork by Margaret Bucholz
“Rainy Sunday” Acrylics $250 Rainy Sunday Mark Hudson Went to, church, and got a ride, and it was really cold outside. The driver was named Mark, and we picked up more in Rogers Park. As we waited for people to arrive, a man walked by, ready to strive. He carried a pumpkin in his hands, “Gotta be festive,” was his reprimand. Then we got to church, once again great, I praised God, no need to hesitate. Felt so comfortable, in God’s care, that I didn’t want to go anywhere. Then on the ride back, a car got stuck, it was just some poor family’s bad luck. The kids went to the curb, two got behind, to push the dead car to somewhere to find. Michelle expressed sympathy for them, a dead car that they would have to condemn. I’m someone who simply doesn’t drive, I’ve somehow found other ways to survive. Now I’m back at home, the rain is pouring, is my apartment that much more boring? I read a good book, while good records play, but is this me back in my secular Sunday? Wasn’t God so ever present in my church? Is he not in my apartment when I search? They talked about religion versus the rest, is God everywhere? Am I really blessed? In my apartment, it would be easy to feel alone, but somewhere out there, God is on his throne. Did I leave my god, behind at the church door? No, he is my god, who I will never ignore! Do I judge myself too harshly, as if God would? Would I be a pastor or missionary if I could? Am I failing my creator, is there business undone? Do I think I can fool God, or even his son? He is here, in this nanosecond of time, in this difficult mountain I try to climb. Is this ladder to heaven harder each rung? Not now, with all the saints I am among. |
Artwork by Margaret Bucholz
“Fly Away” Colored Pencil $250 Fly Away I am always on display – a stained glass that flutters about carrying such color and grace my lifespan is short. So I shall rest here one moment, inhale deep the scent of this flower. sip its nectar so sweet, then, fly away to pollinate the world with color and grace while there is still time. Mary Beth Bretzlauf |
Artwork by Marlene Vitek
“All the Colors” Colored Pencil $75 All the colors in which I see or dream finding a poem in a line stolen from Yehuda Amichai All the colors in which I see or dream the palomino horse of dawn the globe of the sun god’s face the butter oozing down afternoon’s walls this is the acre of rapeseed this is wheat at noon this is the neutral pastel for the unborn child primrose face, meadowlark, here is the daffodil holding snow here is the finch promising spring here is the marmot at attention in late summer, I dream gladiola’s trumpet in late day I caress the treetops in late twilight I eat the bowl of the sunflower’s face as though sacrifice M.E. Hope [email protected] |
Artwork by Benjamin F. Calvert III
“Deep Freeze” Wood Block Relief Print $150 DEEP FREEZE Dr. Emory Jones I am not going to say it is cold, But when you milked the cows, They gave ice cream, And you could knock over Any frozen goat. The chickens hatched penguins, And the horse snorted Ice-sickles. The windows of the house Glazed over, And as the inside heat Melted the ice, It became running rainbows. The thermometer Plunged to ten below zero, And the trees exploded Like cannon shots. Now that was cold, And if you believe me, I will tell you another Tall tale. |
Artwork by Annette Perone Leiber
“Hidden Violets” Acrylic $195 In This Tall Forest No blame falls to the violet for its smallness. Its little heart leaf, tiny purple petals. Its modest inches clinging close to dark soil in root-gnarled shade of gargantuan trees. Across the woodland damp with spring, my careful step spares the bloom that will spread tenacious toward the sun and other seasons. I see myself there, my own fierce little life: this minute fragment clutching slight space, yet willing itself to reach out, spread its shallow-root moment, its startling beauty. from Common Ground Kathy Lohrum Cotton |
Artwork by RocaVaron
“The Trickster” Oil/canvas $250 Fiddler at Fair with Jigging Dolls Jackson, MS, 1939 Eudora Welty Four cars in the background are parked by large buildings. Two boys, in their Sunday-go-to-meetin’ clothes gather on the withered grass nearby. One is distracted by the camera, but relaxed. The other squats in concentration. The old man sits on weathered logs, fiddle to chin. The bow is blurred from movement. His foot rests on a flat board connected to two puppet-like figures. I know they will dance when he taps the board. 10/16/18 Linda Wallin rev 5/27/19 rev 5/28/19 rev 11/11/21 |
Artwork by Re Kielar
“Shall We Dance” Collage $350 Shall We Dance? A red cup of coffee cools, forgotten for now as the old man gazes at the clouds that blanket stars and moon. Coming back to the room, he lifts a music box, dust-free across the years, from its place on a shelf, twists the key. Softly, memories return with the tinkling of the ballerina’s theme, filling the cave she left in his heart. And he smiles, young again, taking her ghost in warm, empty arms, to sway across the room as clouds lift and stars shine. -Lennart Lundh |
Artwork by Joan Ladendorf
“Threes” Digital Photo Collage $250 Threes by Carole Croll Sleep comes easy at three PM, that’s right, midday. A cloudy sky and patting of rain, anthems of the wind, a blanket and book when snow piles deep, they all play their parts. And yet, the song of the sun can lull as well, shadows that sprawl on grass, the blue of the sky that hushes eyes when a hammock sways in June. Sleep comes hard at three AM when all should be slack in the night, breath in its bosom, the tongue in its mouth, bones in their sack of flesh. What opens eyes at a time like this to the clock on the shelf with its green-glow three and the shape of the chair near the wall? What hearkens ears like a sentinel to the creaks of an unwalked floor, the hoot from an owl on a beam of the moon, the sound of nothing at all? cZcroll - 11.08.2017 |
Artwork by Joan Ladendorf
“The Kite” Digital Photo Collage $250 The Kite by Carole Croll The sun is bright, the air is clear, the winds proclaim a holiday. The kite you gave me months ago is disinclined to disobey. It leaps and climbs in maiden flight, tugs me toward the lavish sky, soars above the field and trees and makes me wish that I could fly. It beckons to the drifting clouds, that flock of wooly lambs, then swoops and dives with stylish flair, inscribing unseen monograms. A nearby hawk flies by to note the presence of this caller rare that hovers in bright rainbow wings, disrupts her game of solitaire. I pull the string; the kite retires and settles on a hill, the former scribe and acrobat, earthbound as a daffodil. I look above to see the sky now solemn and alone, a sky where clouds and hawk and wind and kite and I had flown. cZcroll |
Artwork by Carly Palmer
“Mirage” Acrylic & Mixed Media on canvas Not For Sale Off the Path Weary of aching pavement, I sally past the clank and clatter of traffic, coal and smokestacks and step off the worn path through sawgrass to the sun, the rolling sea and wonders of sand and sea urchins. As night slumbers in, I slurk past shadows, the homes of saints and thugs I dare not enter and peer at the mystical dome without end, comets and supernovas, spinning galaxies in timeless space, one Being. Toward daybreak, as the orange frees itself from the dark earth and rises in a rose-colored sky, I feel the light as like the first morning and skate barefooted through the dew. Children scamper, bicyclists spin, lovers embrace. All later part, in the gloaming of happy day that too quickly softens and fades again to night. S. Michael Kozubek |
Artwork by Joan Ladendorf
“1863” Digital Photo Collage $250 1863 Borders had been drawn and words would not cross them. Our guide took us through stands of grass so tall they were like young trees and you could smell primrose here. By the river, we moved silently along the shore and shadows befriended us with hidden spaces. Up the shoreline, we could see others had been here by bruised tall grass on the trail. Along the horizon, was an old wood cabin with open windows, leaning chimney, but carrying a secret hidden inside. We quietly backed away into the dark green thicket and went to the east to hide before the moon had risen. When I dream, it is the same one. A morning lake breeze moves my grandmother’s lace curtains she brought from the old country and they touch my face. In this hidden space, we hope for rain tomorrow to hide our tracks. We keep alert, our breath but a whisper. Marie Asner |
Gallery hoursWednesday: 1-4 p.m.
Thursday: 1-4 p.m. Friday: 1-4 p.m. Saturday: 1-4 p.m. ADDRESS 213 N. Lombard Rd Addison, IL 60101 |
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